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Now if they could only bring themselves to throw out Mamet’s “On Directing Film,” we’d be making some progress.
Now if they could only bring themselves to throw out Mamet’s “On Directing Film,” we’d be making some progress.
I saw Watchmen the other afternoon, it was not so great. Way gorier than I was expecting, and of course filled with the same slick Matrix-style fighting that all the action movies have these days. How can you have a scene of a dude’s arms getting sawn off – on-screen – because you’re oh so fucking grim and gritty and real life, maaan, and then in the next scene have a supposedly paunchy out-of-shape superhero dude doing slow-mo highkicks? How does that parse? Nothing about the movie felt real, even supposedly grimy streets of New York felt like candy-coated Disneyland sets.
But we watched Fritz Lang’s “M” tonight, and that was spectacular. It’s a movie about a serial killer of children, but it somehow waxes almost Dickensian in its ability to present memorable, fully-realized characters in a minimum of fuss and screen time.
Don’t ask me how a guy directing his first “talkie” back in the 30s, could stomp all over a guy with millions of dollars and the cgi to do anything in the world – but maybe that’s the problem.
Here, have this nasty fella:
I shaved off my beard today; I’m the cleanest-cut I’ve been for years.
Hey so yeah, we’re getting married!
No monster sketch today – oh wait or did I just post a picture of the most horrible monsters of all?!?!