Set to Sea p. 30

The cover does a disservice to the contents, but I guess Crumb couldn’t work so long on what turned out to be a very serious project, without taking the piss out of it somehow. In this case, with a Zap-style cover image (only missing a couple snarky word balloons) that suggests an cheap, underground-style goof on the bible (that Crumb must have at least considered, judging by some 2003 sketchbook pages in “The R. Crumb Handbook” from a few years back). And I think some people are upset that they didn’t get THAT book. I’ve seen comparisons to insipid old Classics Illustrateds – critics bothered by the straightforwardness of it all, claiming that Crumb didn’t bring much to it. But it’s obvious! What Crumb brought is in every line, every crumbly texture, every furrowed brow and sweat bead (or plewd, if you prefer). His art creates this world of grubby, fleshy, very solid people, a world without a single factory-made good or even a ruled line. And the conceit of “the literal, unedited bible” (and this could very well be a gimmick in many other artists hands!) is vital to this world-creation.
I admire his guts to play it straight. Yes, it’s a succession of grizzled, beardy guys in robes doing weird things in the desert – and that’s important. That’s what the Bible is. And it forced me to think about the very concept of a book as holy – it must have seemed so self-evident to this tribe of wandering herdsmen. And then reexamining the idea of holiness when the book’s been separated from its people and adapted to Christianity; holiness in purely conceptual terms, and why it was so successful. I’m a very modern liberal skeptic type, I know a bunch of obscure facts from the Bible that I could use as conversational zingers (Did you know Jesus had brothers and sisters!) but I’ve never read the damn thing. And stances of boredom and cynicism make for cute jpegs and are very funny in internet debates, but we’re talking about thousands of years of human existence.
Beyond that, this really is an aesthetically beautiful book, a word not often applied to Crumb, I suspect. I wonder if he has any interest in continuing with more books from the Bible – like Eleanor said after she read it (her highest compliment, I think): It’s worth his time.
Set to Sea p. 29

Somehow while we were away at SPX, it became autumn up in this piece.
Set to Sea p. 28
I’ve been back from SPX for a couple days now, but I’m still feeling the buzz. After the first morning, it was a pretty relaxed show for me – which is good, I get pretty wound up at these things. A lot of people stopped by to check out the Secret Science Alliance book, Eleanor’s panel went pretty well apparently (I’m still waiting for someone to upload audio of it!), the road trips there and back were a blast – good times all round.
We lost a box of assorted minicomics somewhere along the lines, though! Anybody find a box with a copy of Mourning Star 2 and Fart Party 2 in it (among others)?