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The Creepy Case Files of Margo Maloo, and other comics and art by cartoonist Drew Weing
The Creepy Case Files of Margo MalooThe Creepy Case Files of Margo MalooThe Creepy Case Files of Margo MalooThe Creepy Case Files of Margo MalooThe Creepy Case Files of Margo Maloo

Set to Sea pg. 101

on June 23, 2010

• A little late on this: the audio for this Heroescon panel I was on is online. It was me, Roger Langridge, and Jim Rugg talking about “craft and process,” moderated by Dustin Harbin. I was operating on like 3 hours of sleep and several cups of coffee, so I’m almost totally incoherent; all of my sentences are peppered with “likes” and usually trail off with “I don’t know.” I’m still trying to sort out my ideas on comics process, in the wake of Set to Sea, which took so many years to finish – trying to figure out the healthiest mindset for making art. Should I really be placing so much value on using the “right” tools (old-fashioned nib pens), making the “right” sort of marks (labor-intensive crosshatching)? I’ll probably talk about it more in the near future.

• Our local art supply store was giving away a display rack, so I snagged it. I’m not sure what it was originally supposed to hold, but now it’s displaying some of the pretty stapled comics that were getting lost on our bookshelves.

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Set to Sea pg. 100

on June 21, 2010

•I’m sort of in-between paying gigs right now, since I’m still beating my head against my next big comics project, Margo Maloo. So if you’ve been looking to hire a cartoonist / illustrator / colorist / letterer / graphic designer – hey! drew at drewweing dot com

•Athens band Elf Power used one of Eleanor’s sketches on the cover of their forthcoming LP, you can check it out over at Pitchfork.

•There’s an early, positive review of the Set to Sea book at the Daily Crosshatch, which is nice. It does have a small misunderstanding in it, though, which I’ve heard from a couple people. So, even though it’s kind of a bullshit move to come rushing in as the author to correct people’s interpretations, here I go: The main character in Set to Sea is not a pirate, nor is he on a pirate ship! He was shanghaied onto a regular old merchant clipper ship, as happened frequently in the wild and woolly tea trade of the 1800s. It seems important to clarify – if you come to the story expecting the main character to be a pirate, you might be disappointed by a distinct lack of piratical activities.

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Set to Sea pg. 99

on June 18, 2010

A few last words of practical advice for people teaching comics:
• Explain every little step multiple times – take nothing for granted. Let the ink dry before erasing? Some kids don’t realize that.
• Age will have little to do with ability levels.
• It’s hard to tell what activities will be flops or successes in advance, so roll with the punches.
• Likewise, think on your feet, because sometimes your kids will be done or bored with the 20 minute drawing activity in 5 minutes, and you’ll have to hustle for something new. Or the opposite can happen.
• Kids love to see you draw pictures live on the whiteboard.
• Kids really love “random” humor: tea parties, penguins, waffles, top hats, and stinky feet were especially popular this year.

If you’ve got some more, please post ’em in the comments!

Two comics-related things that caught my eye:
• Dirty Beetle Bailey strips? My god, Mort Walker beat Johnny Ryan to the punch by years!
• Dammit, I’m the homebrewer, I’m the one who should’ve come up with the idea of attaching a minicomic to a bottle of beer.

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Set to Sea pg. 98

on June 16, 2010

Happy Bloomsday. If you haven’t read Ulysses, you can go read Richard Thompson’s version, you won’t even need the reader’s guide.

More thoughts about teaching art:
One of the kids in our class was an almost disturbingly canny 12 year old. When I sat down with him and looked at his comics, I learned pretty quick that he was onto any hint of false positivity, even though he drew pretty much as well as any of the kids his age. I would say something like, “Hey man, these poses look great! They really capture a lot of energy!” and he would raise his eyebrow and say in a pitying fashion, “You really think these are great? They’re just stick figures.” Most of the other kids – even the older ones – as soon as I sat down next to them, would be thrilled to describe the action happening in their comics blow-by-blow (useful, since it was hard to puzzle out sometimes.) This kid would just sort of embarrassedly mumble that it was only some guys fighting. He had a sketchbook of carefully copied Naruto pictures, but would only draw stick figures of his own creation. He actually drew less and less as the class went on. Eleanor said that in one of her sessions, he said to her, disappointed: “I thought you were going to teach us how to draw cool.”

He might have been one of the smartest and most self-analytical kids I’ve met, and he will never be an artist.

Eleanor and I were talking about what makes some kids into artists and some not, and the concept of early and late bloomers. Almost all kids start out as little sociopaths who live inside their own heads, but at some point most start becoming normal adults with empathic responses and an idea of how they fit into the world. I was definitely a late bloomer, socially – I think I was still running around in the woods shooting lasers at imaginary enemies until early high school. And somehow I kept drawing into adulthood. So I’m speculating, is there some sort of critical hump in late childhood, where most kids would start comparing their drawings to peers (and professionals,) realize they weren’t up to snuff, and drop the whole thing? And late bloomer types, by sort of sailing obliviously over this hump, actually put in the needed hours and hours of drawing time to become good at it?

Hopefully, you do bloom at some point, though. Maybe today, it’s Bloomsday after all.

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Two unrelated facts

on June 14, 2010

Did you know that tomorrow is the last day you can vote for the Eisner Awards, if you’re a comics industry “pro?” And that you can even do it online?

Did you know that Eleanor Davis’s amazing Secret Science Alliance is a nominee for the Best Kids Comic Eisner?

Hmm…

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